Recording Storage Calculator

Sample rate + bit depth + channels + duration → file size. Plan storage capacity for field recording, multitrack sessions, or broadcast.

Storage Calculator

48 kHz standard for video/broadcast
24-bit recommended for recording
Number of simultaneous tracks
h
m
s

WAV/BWF/AIFF = uncompressed; FLAC/ALAC = lossless compressed; MP3 = lossy

File Size

Per Channel
Total (All Channels)
Bit Rate

Storage Capacity Planning

How much recording time fits on available storage at your selected settings:

Recording Time per Available Storage

1 GB
4 GB
16 GB
32 GB
64 GB
128 GB
256 GB
512 GB
1 TB
2 TB
4 TB
8 TB

Uses 90% usable capacity (filesystem overhead). FLAC/ALAC estimates assume 55% of WAV size. MP3 is constant bit rate.

Quick Reference

Recording time for common scenarios at 48 kHz / 24-bit:

GB

Available Recording Time

Stereo (2-ch)
8-Channel
24-Channel
64-Channel (Dante)

Audio Recording Storage Explained

The Formula

File Size (bytes) = Sample Rate × Bit Depth / 8 × Channels × Duration (seconds)

Example: 48,000 × 24 / 8 × 2 × 3,600 = 1,036,800,000 bytes ≈ 989 MB/hour stereo

Common Scenarios

Scenario Settings 1 Hour Stereo 1 Hour 8-Channel
CD Quality 44.1 kHz / 16-bit ~606 MB ~2.4 GB
Video/Broadcast Standard 48 kHz / 24-bit ~1.0 GB ~4.0 GB
High-Res Music 96 kHz / 24-bit ~2.0 GB ~8.0 GB
Field Recorder (MP3 320) 48 kHz / 320 kbps ~144 MB N/A
Dante 64-ch Stream 48 kHz / 24-bit / 64ch N/A ~32 GB

Format Notes

  • WAV / BWF: Uncompressed PCM. Broadcast Wave Format adds metadata (timecode, originator). Use for archival.
  • AIFF: Uncompressed PCM, Apple/Mac standard. Identical size to WAV. Preferred in Logic Pro / macOS workflows.
  • FLAC / ALAC: Lossless compression (~40-50% smaller). FLAC universal; ALAC for Apple ecosystems. Decode to identical PCM.
  • MP3: Lossy. 320 kbps = transparent for most; 128 kbps = speech/podcast only. Not for multitrack.
  • 32-bit float: Files are 33% larger than 24-bit, but allow gain adjustment post-recording without clipping.

Storage Media Overview

  • NVMe SSD (USB 3.2/4, Thunderbolt): 256 GB–8 TB. Best for field multitrack — silent, fast, no moving parts.
  • Portable HDD: 2 TB–8 TB. Cost-effective for archival / less critical sessions. Verify write speed ≥ 100 MB/s.
  • SD Cards: Only for handheld recorders (Zoom, Tascam, Sony). UHS-II V60/V90 minimum for 24-bit multitrack.
  • Test before gig: Fill storage, verify sustained write speed, check for bad blocks.

Frequently Asked Questions

Why is my actual file size different from the calculation?

WAV headers add ~44 bytes. BWF adds more metadata. Some recorders pad to block boundaries. The formula gives raw PCM data size — actual files are ~0.01% larger. For MP3, VBR (variable bit rate) varies by content complexity.

Should I record 32-bit float?

32-bit float files are 33% larger than 24-bit but capture everything from silence to clipping without setting gain. Ideal for unpredictable sources (film dialog, nature, live sound where you can't soundcheck). If you can set gain properly, 24-bit is fine and saves space.

What's the difference between BWF and WAV?

BWF (Broadcast Wave Format) = WAV + standardized metadata chunk (originator, originator reference, date, timecode, coding history). All professional recorders write BWF by default. The .wav extension is used for both. BWF is backward compatible with standard WAV players.

How do I calculate for multitrack with different track lengths?

Calculate each track separately (channels = 1), then sum the file sizes. Or use the "Add dB" concept but for bytes: just add the sizes. This tool assumes all channels record the same duration.

Does sample rate affect MP3 file size?

No. MP3 file size depends only on bit rate (kbps) and duration. 320 kbps MP3 at 44.1 kHz = same size as 320 kbps at 48 kHz. The encoder resamples internally if needed. For WAV/FLAC/AIFF, sample rate directly affects size.

Recommended Storage & Recorders

Reliable gear for professional recording:

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